On Leonard Nimoy

I’ve been consumed with a number of things, most especially getting THIS (and it’s follow-up, and the impending relaunch) ready to go, hence the lack of immediate updates. But I obviously can’t let the passing of Boston’s own Leonard Nimoy yesterday afternoon pass unremarked upon.

By the time I was old enough to be aware of STAR TREK, Nimoy and Spock were well into their mutual mid-1980s revival as blockbuster superstars, so I never new a world where Trek (classic, at least) wasn’t a widely-accepted part of mainstream popular culture. But even knowing of the period adrift only through history, it feels like any moment of “has-been” stature that might’ve stuck to the rest of the franchise never stuck to this person – even if at one point his relationship with his most famous characterization was complicated enough to pen both the 1975 autobiography I AM NOT SPOCK and follow it up with 1995’s I AM SPOCK.

So, to me, this person was always famous; one of the first actors I can remember really associating with beyond his character thanks in large part to his unmistakable voice and presence. He always seemed larger than life, which was unusual since outside of Spock he was so often seen in genial and playful circumstances – a towering figure who for some reason deigned to walk among ordinary people.

It’s cliche by now, but there’s really no better to say it than just to reiterate: Actor, director, singer, writer, activist – he lived long, and he prospered.

Also cliche: By now, I’m sure everyone’s Facebook is well and truly cluttered with repostings of the funeral scene from STAR TREK II: THE WRATH OF KHAN. But for me, the first thing I sought out on hearing the news was the below video, which captures Nimoy’s (locally)-famous narration of the tech-demo for the Boston Museum of Science’s Mugar Omni Theater:

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