TV Recap: AGENTS OF S.H.I.E.L.D – Season 2 Episode 20: "SCARS"

Here’s three things I don’t often get to say about AGENTS OF S.H.I.E.L.D, all three of which apply to this overally pretty terrific installment:

“I didn’t see that coming.”
“I’m glad I didn’t see that coming.”
“I don’t know who/what that’s supposed to be.”
SPOILERS (including AGE OF ULTRON) after the jump…
Though it’s played coy with the reveals and teases, AGENTS’ second season has spent a solid chunk of it’s time setting up what looked like a decent if fairly predictable scenario to lead into yet another new status-quo – either for next season or (some suspect) for CAPTAIN AMERICA: CIVIL WAR (next year) and THE INHUMANS (2019). While it still seems like pipe-laying for those films is very much a part of the game plan, “Scars” served to blow the “predictable” part to kingdom come; once more establishing that this offbeat little series has quietly managed to become the most consistently surprising corner of the Marvel Cinematic Universe.
To wit: Season 3 has had two overarching plotlines that revealed themselves in full around the midpoint and have merged as we hit the final stretch. Plotline 1: Agent Skye is actually an Inhuman -specifically the daughter of the leader/protector of a secret Inhuman community. Plotline 2: There’s a secondary, better-armed would-be S.H.I.E.L.D relaunch that doesn’t think Coulson is fit to be Director. Plotline 3: Coulson is keeping a second set of secrets from his own team, something called “Theta Protocol.”
Plotline 3, revealed in full as “Scars” opens, turns out to be our innevitable tie-in to AVENGERS: AGE OF ULTRON: “Theta Protocol” refers to Coulson having kept a spare Hellicarrier gassed-up and ready should Nick Fury need it, and said “need” arises when Fury used it to evacuate civilians during Ultron’s doomsday gambit – which strengthens my position last week that at least some AGENTS OF S.H.I.EL.D characters should’ve been on the ship in the movie, if for no other reason than the right kind of cheap pop.
But it’s Plotline’s 1 and 2 that still came front and center, and for awhile looked to be heading in a pretty obvious direction: “Real S.H.I.E.L.D” would turn out to be hostile to the existance of The Inhumans, triggering a conflict (exacerbated by Raina, who’s been using her newfound future-telling powers to undermine Skye’s mother Jaiying as leader of this branch of Inhumans) that would either mirror, spill-over into or even trigger the events of CIVIL WAR. Simple, effective, and in-keeping with Marvel’s no-longer-secret goal of the INHUMANS as a franchise filling in the missing X-MEN spots in their Universe.
And for most of it’s running time, “Scars” kept up the appearance of following exactly that path: No sooner had Coulson leveraged his role in thwarting Ultron into convincing Gonzales to integrate the two S.H.I.E.L.Ds (Gonzales and his brain trust becoming the new Security Council, Coulson remaining director) than did the Inhumans plot threaten to make things complicated all over again: Team Gonzales has figured out how to track Gordon the teleporter back to Afterlife (Jaiying’s Inhuman retreat) and want to move on them – one of S.H.I.E.L.D’s functions, you’ll remember, being “indexing” superhumans and keeping tabs on them. Furthermore, Gonzales himself wants to be the one to have a sit-down with Jaiying, not the “compromised” Coulson. 
Meanwhile, Raina is suspiciously warning that if anyone from S.H.I.E.L.D is allowed to meet Jaiying, a war is going to break out. Oh, and the “mystery item” in The Icarus’ cargo hold? It’s some kind of ancient Kree weapon whose existence terrifies The Inhumans. And so, the stage is set…
…and then everything goes in totally direction. Short version: Gonzales really does come in peace – but that doesn’t mean Raina wasn’t telling the truth! Jaiying – whom, you’ll remember, was tortured and (literally) butchered by one of HYDRA’s more unapologetically Nazi-descended adherents – turns out to have very strong feelings about the idea of making lists of “different” people, and not only does she kill Gonzales and wound herself to feign self-defense. And that’s after she’s already sent Skye’s dad Calvin into S.H.I.E.L.D’s “custody” having already downed multiple vials of the chemicals that give him his Mr, Hyde powers.

Very unexpected and well-executed, as twists go (though it becomes slightly less-so when you consider something needed to go wrong with Jaiying in order for Skye to come back to the team for Season 3) – it’s nice to see things inverted so profoundly and still work out narratively. We’re still getting the expected S.H.I.E.L.D/Inhumans fight with the expected people caught up in the middle, but on significantly different terms than were imagined beforehand.

I like where this is going, and it should make for a heck of a Season Finale next week… with the exception of the “Ward and still-evil Agent 33 kidnapped Bobbi” plot, which still isn’t interesting and feels too blatantly of existing mainly to launch the already-announced Bobbi/Hunter spin-off series next year. But, maybe that storyline will surprise us, too.

PARTING THOUGHTS

  • Joss Whedon has lately been pretty open about how he’s not really onboard with the idea of Coulson’s still-living-ness being acknowledged in the movies. Since he’s no longer the guiding hand of THE AVENGERS going forward, however, 
  • No, I have no idea what the shape-shifting Kree rock thing in the cargo hold actually is. At the very least, its design and behavior doesn’t line up with any relic/object/etc I’m familiar with from the comics’ Universe – but, then again, considering they wound up hiding The Infinity Stones inside various other relics throughout the series, it really could be anything.
  • The whole through-line of “May thinks of Skye as surrogate daughter” has paid off a lot better than I think anyone could’ve anticipated.
  • Jaiying explains that while Terrigen Mist is not harmful to humans, The Inhumans (or her branch of them, at least) use artificially-grown Terrigen Crystals to which exposure is lethal because it contains trace elements of Diviner Metal. This A.) Feels like a pretty-good indicator that the cache of still-missing “pure” crystals will end up being triggered to “power-up” all or most of Earth’s Inhuman population to kickstart the plot of either CIVIL WAR, INHUMANS or both; and B.) Is not a plot-hole – Tripp died because a piece of Diviner shrapnel hit his chest, not from the Mist being released.
  • Re: The possibility of a CIVIL WAR lead-in: The CW comic had the push to register powered-persons kicked-off by a superhero brawl setting off an explosion in a populated area. Some kind of “Terrigen Bomb” going off and creating hundreds of thousands of newly-powered people all at once (likely resulting in chaos and plenty of injury/death even beyond an explosion) would likely have the same effect. Keep in mind that it’s a (minor but highlighted) plot-point in AGE OF ULTRON that Captain America sees enhanced people like the Maximoff twins as largely indistinguishable from his own situation.
  • Skye calls them “Inhumans” for the first time, saying it’s their “ancient” name. This would seem to confirm that the more familiar “Royal Family” characters are either not believed present anymore or not known this sect.
  • While acknowledging that it’s likely a budget thing, I’ll be really happy if Mr. Hyde goes full Hulk-out in the finale.

NEXT WEEK:
“S.O.S” teases Skye vs May plus everyone vs everyone else, in what I’m guessing will end on some sort of cliffhanger – even though a Season 3 renewal hasn’t been officially announced, everyone involved has been talking like it’s a given (I can’t see Disney not letting the series run to a syndication-friendly length) and even if it doesn’t happen the Mockingbird/Hunter spin-off is already in the cards.

ALL-NEW GAME OVERTHINKER – "Nintendo – WTF???"

Okay guys, here’s the deal:

Yes, The Game OverThinker (aka me) is back in an all-new, all-different incarnation at ScrewAttack. You can watch the first episode on YouTube now (direct link to SA once there is one.)

This show and a second top-secret series will be running on alternating weekends for several weeks heading into Summer. Will there be more after that? Well, we want that to happen – but whether or not it does is at least in part up to YOU; since things can really only stick around if people want them to.

That’s where you folks come in…

If you like the new show, liked the old show, like my other shows, want me to keep producing content in general, here’s how you can help: Watch the show. Like/favorite/etc it. Tweet it. Facebook it. Share to every social media spot you post to. Send it to as many friends, family, colleagues, associates, enemies, whatever and ask them to ALSO like/favorite/tweet/facebook etc it. Hell, if you want to tell ScrewAttack that you like the show and want to keep seeing more of it, I bet that’s a good idea, too!

I’m proud of this new series, I want it to succeed, and I need it to not just do well – I need it to blow the hell up 🙂

So, please – help me blow this thing up, huh?


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TV Recap: AGENTS OF S.H.I.E.L.D – Season 2 Episode 19: "THE DIRTY HALF DOZEN"

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Much of “THE DIRTY HALF DOZEN” is predicated on a pair of ideas that I’m not sure have even half as much truth in them as AGENTS OF S.H.I.E.L.D seems to think they do. Firstly: That at this point, people are still expecting/demanding this series to drop everything and bend over backwards to reference whatever is currently happening in the Marvel movies. Secondly: That there’s enough lingering nostalgia for the series’ Season 1 incarnation that a contrived re-grouping of The Original Team Arrangement will be a big pop.

It’s not an episode without it’s charms (there’s a RAID-inspired long-take shootout sequence for Skye that probably rates as Chloe Bennett’s best action moment thus far) and it says something about how far the series has come that my reaction to an MCU tie-in episode is “Guys, everyone knows The Avengers are fighting a robot this weekend. Can we get back to the story at hand?;” but it’s distracting none the less.

SPOILERS and more after the jump…

Continuing from last week, Coulson’s S.H.I.E.L.D and “Real S.H.I.E.L.D” have set aside their differences (or so it seems) in order to drop the hammer on a HYDRA base where Dr. List is conducting experiments on abducted Inhumans (the ads are finally calling them that, at least) and also Deathlok as a “satellite program” of what Baron Strucker is up to over in AGE OF ULTRON. Skye wants to go help, her mother (Inhuman safe-space leader Jaiying) is against it for “let’s not let the world know we’re here” reasons.

The decision gets made for them when Raina, having figured out that her “nightmares” are actually the power to see the future, outs Skye as Jaiying and Calvin/Mr. Hyde’s daughter and reveals that she’s “supposed” to go help. And so we get an awkward “Season 1 reunion” middle-act wherein Ward rejoins Skye, Coulson, May, Fitz and Simmons on The Bus to go take on the bad guys and ruminate over how much their relationships have changed in the interim.

This is all well and good, and the “storm the base” stuff works in the scrappy, low-tech terms the series has by now mastered (again, Skye’s one-woman-army bit is a seasonal high point). Unfortunately, the tie-in stuff rears it’s head in a way that’s both annoyingly intrusive (so wait – all of S.H.I.E.L.D, random individual people and a bunch of The Avengers’ sidekicks/friends can know Coulson is alive… but just not The Avengers themselves for some reason?) and also not intrusive enough (Team Coulson is essentially doing pre-rinse for ULTRON’s pre-credits battle against Strucker, just in a less-expensive location with a less-expensive HYDRA guy.) I’m hesitant to mark things down too much here, because it feels like “What is Theta Protocol?” will be an ULTRON-fallout thing, but for now it’s all very awkward.

(Sidebar: Without spoiling, there’s an “All is lost… wait, no it’s not!” beat in the finale of AGE OF ULTRON where the Agents could’ve shown up for totally logical, sensible reasons; and it felt like a missed opportunity that they didn’t. I mean, if they wanted to leave out or “background detail” Coulson so as not to have to deal with that whole can of worms; some combination of May, Skye, Fitz, Simmons, Hunter, Bobbi, Mac, The Koenigs etc could’ve been onhand easily. It would’ve gotten a huge pop from the diehards in the audience while not affecting non-viewers one way or the other.)

On the other hand, the goings on do seem to introduce (re-introduce?) a new complication that could have pretty interesting implications: Since the return from break, the idea that some kind of dark switch has been flipped on Simmons’ moral compass has cropped up intermittently, but for awhile it seemed to be limited exclusively to her feelings about how to deal with Enhanced (“powered people”) threats… but that no longer seems to be the case: She inserts herself into the field mission with the expressed intent of revenge-killing Ward, but instead ends up murdering HYDRA lackey Sunil Bakshi instead – with Ward being aware of this and going on the run again.

That’s… interesting, if they do anything with it. I’m not sure I’m 100% sold on the idea of Simmons going “evil” somehow, but I’m interested to see them try it.

PARTING THOUGHTS:

  • I know I sound like a broken record here, but Ward still isn’t interesting. He only briefly became interesting once his Ken Doll blandness was revealed to be have been a cover in Season 1, it hasn’t carried over into his role as a general bad guy and this new idea that he’s angling for some kind of redemption arc (“returning” Agent 33 to S.H.I.E.L.D for her own good) isn’t helping either.
  • Glad to see the mystery of what The Icarus (Gonzales’ ship) is hiding in its cargo hold turn up again, if only because I like that I still have no clue what it actually is (Mar-Vell or The Abomination remain my hopes.)
  • Blowing up The Bus for good should’ve felt more substantive than it did. I get that it’s meant to be an ironic punchline to the “return of Season 1” thing, but it didn’t really land.

NEXT WEEK:
Yup. Surprising absolutely nobody, “SCARS” appears to be the beginning of Good S.H.I.E.L.D and Bad S.H.I.E.L.D coming to blows over how to respond to the existance of The Inhumans, who we’re finally calling that by name. This is the first real step in AGENTS’ first turn at laying foundations for events in the Cinematic Universe (re: establishing The Inhumans as the MCU’s X-Men/Mutants stand-in) rather than reacting to them, so it’s going to be telling to see show that goes.

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Disney’s DESCENDANTS First Trailer is… Peppy? Let’s Go With Peppy.

I’m getting to the point where I’m exactly old enough that a necessary (and welcome!) distance from “youth culture” on the whole and regular interactions with the teen-and-under set not really existing for the most part is beginning to make the tail-end of The Millennials look increasingly alien to me – which is a red flag in my business. So I try to keep an open mind when regarding stuff clearly aimed as far away from me as humanly possible.

That having been said, here’s the trailer for Disney’s ambitious “what if our characters had kids and they all went to school together” TV movie project DESCENDANTS:

To be honest? The main thing jumping out at me here is how little the Disney Channel house-style seems to have changed since I was “that age.” The pop-culture cues are different (no way Carlos would’ve been played quite so outwardly… “fashionable” in the 90s, yes?), the basic energy and attitude are  pretty-much the same – which sort of throws into sharp relief just how much what we think of as organically-occurring cultural “vibes” are shaped by media. Disney Channel has effectively staked itself as the driver of late-GenX and Millennial tweenhood, and that’s that.

Oh, the movie? Looks cute. The whole thing sort of feels like a DeviantArt project that someone greenlit to series as a joke, but there’s potential here and I like that it looks notably different from ONCE UPON A TIME. If nothing else, it’s a marvel of how good Disney is at working their iconography machine: Even without the names and most obvious cue(s) present in this trailer, you can pretty easily tell who the King and Queen are supposed to be, so that’s amusing, right?

Whatever. You can pretty much tell this thing is going to be absolutely huge, and a decade from now we’ll be reading thinkpieces from now-35-year-old Millennials explaining why it actually wasn’t as disposable as it was judged to be in it’s day. So, look forward to that I guess?

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This Is Your New DC Cinematic Universe JOKER

There may come a day when there’s no more need for (by now) tired, cheap-shot references to how
effortlessly satisfying the Marvel movies have been versus the endless cycle of self-inflicted stumbles Warner Bros. DC Cinematic Universe has undergone.

A day when we can actually look forward to the JUSTICE LEAGUE-adjacent features with “I hope it’s good” anticipation and not “I wonder what *type* of trainwreck” anticipation.

A day when it’s no longer appropriate to point out the disparity between a studio dithering over whether or not a woman can carry a feature film versus another putting a talking raccoon on a marquee.

A day when you can assume that at least *some* ideas are too stupid to not make it into the post-MAN OF STEEL DC movieverse.

But it is not this day.

TV Recap: AGENTS OF S.H.I.E.L.D – Season 2 Episode 18: "THE FRENEMY OF MY ENEMY"

For a change, “Frenemy” provides an opportunity to properly/honestly appraise an AGENTS OF S.H.I.E.L.D episode up front without dropping spoilers (since Season 2’s entire second half is now a big-deal Marvel Universe mythology-reveal)  and incurring the wrath of binge watchers.

So, then. Short version: This is the season’s stupidest title, but possibly it’s best episode. Want more than that (with SPOILERS?) keep reading after the jump…

One thing (among many) that Season 2 of AGENTS OF S.H.I.E.L.D has done better than Season 1 is to “answer” the justifiable criticism of the series failing to measure up to its (implicit) promise of staying fresh and vibrant by flitting between the various worlds of the Marvel Universe by quietly building a fairly substantial “sub-universe” of its own: As this second season winds down, AGENTS now has enough levels, strata and moving parts between Coulson’s S.H.I.E.L.D, “Real S.H.I.E.L.D,” The Inhumans, the attention they draw from The Kree and Asgard (well, okay, just Lady Sif for now but still) the adjacent machinations of rogue supervillain Calvin “Mister Hyde” Johnson, rogue vanilla-villain Grant Ward and HYDRA that it’s that much easier to “forgive” Coulson and Company for not bumping into Iron Man or The Hulk more often (or, y’know, ever.)

On the down side, in recent episodes those moving parts had begun to move a little too far apart from one another – to the point where there wasn’t much connecting (in the most obvious examples) the S.H.I.E.L.D vs S.H.I.E.L.D story with Agent Skye’s discovery that she’s actually one of the (still unnamed) Inhumans beyond the prior relationships between the characters. “Frenemy” sets about bringing these (and other) divergent plot-threads back to one place and (shockingly!) manages to feel almost organic while doing so.

The setup(s): May and Simmons are pretending to help Superhuman-phobic “Real S.H.I.E.L.D” look for Fitz and Coulson, who’ve absconded with Nick Fury’s “Toolbox” and its index of… everything, basically. Coulson, Hunter, Deathlok and Fitz meanwhile have scooped up Ward and Agent 33 to help them find the two surviving HYDRA bigwigs, Dr. List and Baron Strucker (this appears to be our big tie-in to AGE OF ULTRON) on the logic that they’ve been abducting/experimenting on “powered people” (we’re still not calling them Inhumans, I guess) and thus might be behind Skye’s disappearance or at least know about it. Skye, of course, has actually been hanging out at The Inhumans’ (or, more likely, a smaller community thereof) secret retreat, getting to know her surprisingly still-living Inhuman mother Jaiying and less-surprisingly still-insane science-enhanced father Cal/Mr. Hyde.

Since this is AGENTS OF S.H.I.E.L.D, all of these huge interests and powerful characters ultimately converge on… a relatively-inexpensive shooting location – in this case Cal’s abandoned Milwaukee doctor’s office, where Skye is supposed to be letting him down gently about not being allowed to hang around Afterlife (The Inhuman’s refuge) any more because of the whole evil/not-Inhuman thing. Misunderstandings abound, mostly because people keep first glimpsing Coulson either in the company of “complicated” individuals like Ward or Deathlok. Things wrap up (so to speak) with Skye and Cal vanished again (List was actually chasing Gordon’s teleportation energy signature around) and Coulson seemingly pretending to hand himself over to Real S.H.I.E.L.D; setting up what’s being promoted as an action-heavy episode next week.

PARTING THOUGHTS

  • We now know that the Bobbi and Hunter are getting a spin-off, so… I guess that sort of spoils whether or not they’ll A.) survive the season or B.) still be good guys (unless it’s a prequel?)
  • Unless I’m forgetting, this is the first time Skye has referred to herself as “Daisy Johnson.” Did Calvin not mention his last name previously?
  • Raina (not actually appearing in the episode) is suggested to be the first known precognition-powered person (Inhuman or otherwise?) documented on Earth. The idea that precognition is the big red-flag “not real yet” superpower has been repeatedly brought up back to Season 1, but at this point I’m at a loss as to what this is building to.
  • We’ve been told a few times now that we’ve not seen Cal at his worst – is it too much to hope that there’s a shape/form to him that’s closer to how Mr. Hyde is typically portrayed in the comics, then?
  • Sidebar: Is it just me, or has Cal/Hyde very gradually evolved into one of the more compelling MCU villains? It’s easy to forget that McLachlan is a really great actor in the right part, and that he’s been able to find (and convey) relatable humanity in such an over-the-top character (he’s basically playing a Hulk who doesn’t transform – so far). The business with him and Skye wandering around his old city, which has changed to a degree he can hardly cope with in the decades he’s been living in a supervillain rage-haze, is genuinely moving stuff.

NEXT WEEK:

“The Dirty Half Dozen” purportedly finds the two S.H.I.E.L.Ds working together for an attack on what looks like it could well be the same facility Baron Strucker was hanging out in during the post-credit scene of WINTER SOLDIER and is (assumed to be) occupying during whatever point he turns up in AGE OF ULTRON. I wonder if they’ll be brazen enough to suggest that this is taking place in the same relative time-frame, i.e. “Oh wow, The Avengers just got here! I mean, it’s too bad we were just leaving so we can’t meet or in any way interact with them, but hey it’s cool they’re here, huh?”

FANTASTIC FOUR Official Trailer looks… I dunno

Fairly or not (spoiler: it’s not), it’s becoming increasingly clear that the ongoing Marvel Studios success story is basically ruining the prospects of many fans (myself included) to have any kind of proper “anticipation factor” for Marvel Comics adaptations made by anybody else. It’s one thing to have a vague sense that this or that film might be better off in other hands, but another to know (in the case of an adaptation) that A.) you’re not getting a version remotely close to what you might’ve hoped to see and B.) that you all but certainly would be getting that version if not for circumstance of contracts and rights issues.

Case in point: This new most-recent trailer for FANTASTIC FOUR, which has me struggling to figure out if I’m underwhelmed and irritated that it looks like a drab, dreary misuse of The Fantastic Four or that it looks like a drab, dreary movie – period:

I dunno.

The previous trailers weren’t wonderful either, but at least there was enough vagueness at play to make it a legit question whether this looked like an outright bad movie or a movie I’d otherwise be more into if it weren’t trying to convince me it’s a FANTASTIC FOUR movie.

Thus far, what they’ve been selling has looked more like Josh Trank’s obligatory “bigger-budget version of the low-budget movie you just broke big on” entry with FF trappings awkwardly stuck to it; and while this still looks like that it’s also clearly meant to be the “Yup, it’s Fantastic Four!” trailer: Everyone is onscreen using their powers, reveal of The Thing, shot of Doctor(?) Doom while someone says “doom,” etc. For good measure, they’ve even thrown in the “hard open on city-skyline over loud bass sting” thing, so you know it’s a superhero movie.

And it mostly looks just… bad.

I like some of this. The general look is dreary and glum, which is about as tonally opposite the property as you can get… but it’s a well-shot, handsome looking version of dreary and glum, like someone working to imitate David Fincher’s preferred aesthetic. The cast seems to have chemistry, I like Reed not knowing how a fist-bump works, Michael B. Jordan continues to impress, etc.

The downside? Everything else. I dig the shot of Reed’s arm-muscles shifting around, but at the same time it makes me worry that they’re going to “nerf” his power-set away from “guy made of rubber” to “has stretchy limbs.” Kate Mara doesn’t seem to be registering as either Sue Storm or as a general presence. The Thing looks like he’d make a decent rock-monster minion in a fantasy feature of some sort, but he’s just not Ben Grimm and I always hate versions of The Thing that go the easy “made of rocks” route rather than the more alien, interesting classic designs.

Doom? Egh… it’s only one shot (and then another from the back), but you can already tell they’re going with him being another “altered” person like the heroes (the mask looks semi-transparent, maybe containing some kind of energy or for life-support) and… like I said, egh. I’m all for reinterpretation, but when it comes to Doctor Doom you’re not just talking about another piece of Marvel/FF mythos – you’re talking about one of the greatest villains in popular fiction of all time. Is it seriously too much to ask that we get a proper version of him onscreen before all the revisionism?