"The Hobbit" Will Be Three Movies

Peter Jackson has confirmed that “The Hobbit” will go from being two films to a trilogy; with the originally-announced first two debuting over the next two Xmas seasons and the third hitting Summer 2014.

Details are vague, but supposedly this has been spurred by the material added (mostly “what was going on elsewhere in Middle Earth” from the LOTR appendices) to “flesh out” the events of the existing two films and tie things more directly to the events/characters that Tolkien later placed before and after Bilbo’s main adventure.

Whether or not that means “Hobbit 2” gets longer with the “traditional” ending still happening in Part 3 or if the third film will be the often-discussed “bridge film” to LOTR remains to be seen.

"Sonic Fan-Film" New Trailer

You might remember Eddie LeBron and Blue Core Studios for their ambitious “Mega Man” fan-film a few years back. Shortly after that, they announced they were going to take a swing at “Sonic The Hedgehog;” and with the film’s release date apparently approaching (last I’d heard it was going to be a short instead of a feature) there’s a new trailer – and yes, that’s actually Jaleel White returning to voice Sonic:

"Cloud Atlas" Looks Like It Probably DOES Need a Six-Minute Trailer

The Wachowskis are two of the most interesting talents working in big-scale Hollywood movies today; so much so that the fact that they’re no longer The Wachowski Brothers is NOT the most interesting thing about their output.

Their careers have never quite recovered from “The Matrix” becoming a massive overnight mega-sensation, prompting two unnecessary and innevitably-underwhelming sequels, and the the (IMO) underappreciated “Speed Racer” didn’t exactly put them back on top; but I can’t not respect people who make good on the dream of attaining permanent blockbuster clout and using it to do whatever the hell you want.

Now they’ve partnered with Tom Tykwer for a sprawling adaption of “Cloud Atlas,” which features a big cast playing multiple roles that stretch across multiple genres, styles, time-periods and realities. The film’s first SIX MINUTE trailer is now up over at Apple. Whoa.

Yeah, This Is TOTALLY Appropriate

When a tragedy occurs with some kind of connection to a pop-culture property, it’s only natural for the two to get bound up in eachother when it comes to artistic-expression of reactions to said tragedy. Which is a long way of saying that, while I’m kind of “put off” by the deluge of “Sad Batman” fan-art that started popping up in the wake of the Colorado Massacre (so much of it feels like it’s more about empathizing with Batman – the fiction character – rather than the actual event) I expected it and understood it.

Seeing it on the days-later cover of The Hollywood Reporter, though? Advertising a series of “timely” essays on movie violence? That’s just incredibly tacky. Trashy. This is National Enquirer/Fox News stuff – even an entertainment publication should have higher standards than this. Notably, the essay-collection features an astonishingly wrongheaded (to say nothing of incredibly irresponsible) “maybe the movies ARE to blame” piece by the great Peter Bogdanovich, of all people. (His 1968 film “Targets” featured a mentally-disturbed Vietnam veteran who trains a sniper-rifle on teenagers at a drive-in movie, is the connection.)

Ang Lee’s "Arthouse Calvin & Hobbes" Has A Trailer

“The Life of Pi” is based on a 2001 fantasy novel largely about the adventures a boy stranded on a lifeboat with a tiger for 227 days but also about meditations on the nature of God and The Universe as seen through the varying perspectives of Christianity, Islam and Hinduism. Below, the trailer for the movie your stoner friends and your “spiritual” friends will refuse to shut up about later this year…

I’m wondering how much of an adaptation this is. Without spoiling (commenters, try not to do that either – I still have to get around to reading the bloody thing) I recall people reading the book being furious about some sort of highly-unpleasant/unexpected plot twist that’s not even hinted at here; so we’ll see what happens if/when audience feel blindsided by something possibly less “whimsical” than what we’re seeing here.

Guns & Football

Below the jump, some thoughts on topical issues relating to two things Americans are way, way too obsessed with. Contains politics, so don’t read it if you don’t wanna:


Regarding The Aurora Massacre:
Absolutely tragic, no other way to say it. That having been said, this whole thing where we’re not supposed to say James Holmes’ (the shooter’s) name or discuss certain “bigger” aspects of this story so that he won’t “win?” Look, I understand the feeling behind that… but he already “won” to the degree that he pulled off his crime. I understand the symbolism behind “denying him the fame he so craves;” but come on, that’s largely impossible whether you participate or not. It’s too late to deny this bastard “victory” (since he clearly doesn’t care about being caught); so the only tangible “win” the rest of us can get out of this is to learn from it and prevent it from happening again…

…Which brings me to guns.

I think people have the right to own guns, because guns are tools and tools are only as good or bad the person using them. However, I also recognize the reality that it’s incredibly stupid for anyone to be able to own any gun. I drive a car, for example, and to get the right to drive that car I have to prove that I know how to drive it, register it with a government agency on a yearly basis, get it inspected on a yearly basis and have a public record of what I do with it – because cars, while useful, are also dangerous. And if I prove that I’m incapable of using a car properly, my privilige to drive can be restricted and even revoked. To me, that guns should be at least as well-regulated as cars is pretty logical.

But it’s not really about logic – it’s about cultural mythology. It’s about symbolism. Americans LOVE The Gun as symbol. It reminds us of ourselves as we like to see ourselves. Guns are symbolic of our revolution against an oppressive colonial government, our “conquest” of the western wilderness and the “spirit” of how both were accomplished – i.e. not through strategy or fighting-techniques informed by high-born martial legacy, but through a tool that any man of any background can pick up and become a warrior with. “God didn’t make all men equal,” goes an old saying that might as well be our secondary national motto, “Samuel Colt did.” Guns and their attendant mythos are sacred to the American Psyche, so you’re never going to get us to “quit” them.

But is it really too much to ask that there be common-sense restrictions on their use? Is it really “radical” to suggest that a Second Ammendment written in an era when foriegn-invasion by armed ground-troops was a very real threat and the “fastest” gun was a single-shot pistol may not be entirely applicablr in an era where foreign-invasion by armed ground-troops is a logistical impossibility and automatic weaponry is commonplace? A common gun-rights retort is that, “yes, people DO need to have assault rifles in case the enemy becomes our own government!;” in which case it seems to me that the Second Ammendment is even more obsolete: Sorry, Mr. Gribble, but The Government has nukes, radar-guided missiles and predator drones – if the Eeeeeeevil Kenyan-Born Secret-Muslim Communist President wants your ass dead, it won’t matter how many AKs you’ve got stacked up in your post-Rapture Panic-Room.

Just saying.

Regarding Penn State.
So Penn State’s football program doesn’t get the “death penalty” for covering up decades of child-rape in order to protect the “honor” of a fucking athletics program. Instead they just lose a shitload of money, the Holy Program gets kneecapped for a few years and bunch of utterly-meaningless statistics and records get either wiped-out or asterix’d from the books. And yet some people think this is “too far.” Me? I don’t think it goes nearly far enough.

Granted, nothing can “undo” the crimes or the cover-up; but the sickness that allowed both things to happen – that allowed a monster to go about raping children while others covered it up goes higher than Joe Paterno and bigger than Penn State. The cover-up was possible because Football Programs wield far, FAR too much power in the American college system. Programs wield that power because it’s often the college’s main source of income – effectively supporting the rest of the institution. And they are the main source of income because alumni donors, and Americans in genral, care way, way too much about Football.

That we are willing, as a culture, to pump infinitely more money into bloated, greedy NCAA programs in order to maintain a talent farm for the bloated, greedy NFL is obscene enough, but predictable – you can’t expect America to start caring as much about collegiate science, art and humanities programs that might yield cancer cures, energy-sources on the next transcendant works of art as we do about whether or not some guy can kick a ball between two poles… I mean, have you met us? Most of the time, these warped priorities manifest themselves in ways that are only superficially irritating; like raising men whose sole contribution to the world is throwing a ball pretty-good to the status of living gods. But the Sandusky Scandal represents the logical-extreme of this obsession: The willingness to excuse/ignore horrible crimes in order to protect The Game itself.

This is, incidentally, why while I feel bad for the players, potential players and other program staff whose careers have been impacted by this; I don’t see that as a reason not to have done it – innocent of the cover-up they may be, it’s all part of an institution that has frankly been crying out to be knocked-open, re-examined and probably dismantled to a large degree for a long, LONG time now. Yes, Penn State should be made to honor the commitments they made to scholarship athletes who may no longer be playing, up to an including financially-assisting them in finding placement at other schools’ programs. Yes, either the NCAA, Penn alumni or their trustees should take the good-faith step of helping potential scholarship prospects already “in the works” get to the school (if they still want to) even if there’s no real program waiting for them. But beyond that? Knock “The Program” over, find the rotten parts, reassemble if possible and above all else put the fear into every other Program that they’re godhood – and their free ride – is over.

Now, obviously, you can’t stop people from caring too much about NCAA football; but if colleges were better funded in other areas to begin with football programs wouldn’t be quite so all-powerful, which is the only way you’re going to stop the next Penn State from letting the next Joe Paterno cover-up for the next Sandusky. I’ll probably be branded some kind of “socialist” for saying this, but y’know what’d be a good start? More federal funding for the non-athletic departments of American colleges. Start with the science and technology departments, since after all those have a tangible economic/security benefit to the nation as a whole so as to warrant such investment.

Just saying.

DreamWorks Animation Just Bought Like 30% Of Your Childhood – And Your Parents’ And Grandparents’ Childhoods, Too

As licensed-properties have taken over Hollywood, consolidating big collections of said properties (the better to avail yourself as partner to production companies) under one umbrella has become a canny investment for companies that once upon a time might’ve only ever existed to license nostalgiac DVD sets.

For one such umbrella, “Classic Media,” the ship has come in: DreamWorks Animation SKG just paid $155 Million for the company (which will now be called “DreamWorks Classics”) – or, rather, for the impressive roster of characters, series, franchises and other intellectual-properties that DWA will now be able to leverage into movies, TV shows, video-games, etc.

So, what did they buy? Well, about 450 properties – not necessarily the gargantuan thousands-strong collection of individual characters Disney got when they aquired Marvel, but probably a more diverse and (in some cases) eyebrow-raising set all the same…


Most of the “bigger” stuff Classic Media owned tended toward really oldschool (Lone Ranger, Dick Tracy, Lassie) or near-immortal kiddie fare (Casper, Richie Rich, Baby Huey, Rocky & Bullwinkle, Felix the Cat, Gumby); but they’d also more-recently gotten into the business of Gen-X nostalgia marketing – most notably, they own Filmmation’s entire library (though only partial rights to certain productions that had been based on licensed properties) and World Events Productions, which means that DreamWorks now has some kind of claim on “Masters of The Universe” and total rights to “Voltron;” both of which have been eyed for big-screen revival.

This also gives DreamWorks Animation control of Noddy (ask somebody from the UK), the U.S. distribution rights to certain “Godzilla” movies, the VeggieTales franchise and Turok: Dinosaur Hunter. Oh, and if your looking for a reason for your inner-child to cringe; this also nets them the “Little Golden Books” library – so, yes, “The Poky Little Puppy” is now in the hands of the studio behind “Shrek.”